D520 DAC

It may be half sized, but you definitely get all of the performance... The D520 is full featured DAC in a compact format. It comes with AES/EBU,SPDIF, and Toslink as standard inputs. An optional USB input is available. The D520 also has an upgrade jack on the back should you wish to add an SP Capacitor Pack power upgrade.

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The D521 comes with AES/EBU, SPDIF, Toslink, and USB as standard inputs, and both single ended and balanced outputs. Pretty much like any other DAC right? Wrong. The power supply has 2.2 Farads of capacitance (2.2 million micro farads), and THAT makes it very different - more transparent, more able to retrieve detail, and - best of all - way more musical. Don't take my word for it, come and listen for yourself. The D521 has an expansion jack for an SP Capacitor Pack on the rear panel for an easy and effective "plug and  play" upgrade. 

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There are many who prefer a DAC with a tube input stage. There are probably just a as many who don't. I'm guessing that lots will say it depends on the music, or the recording, or the room, or the system. Variables, right?  We say, why not solve all the problems at once?

The D522 has enough features and options to keep everybody happy. It has a 6SN7 tube inter stage, which has a switchable bypass. It accommodates all of the standard inputs - AES/EBU, SPDIF, Toslink, and USB - and implements a separate power supply to help eliminate internal noise and reduce vibration. A reference level component that will provide a lifetime of musical enjoyment.

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To achieve successful vinyl playback, one must pay attention to a lot of details... turntable/arm/cartridge matching, suspension types, VTA/ VTF/Anti skating adjustments... the list goes on. Having said that, playing records is definitely worth the effort, and we are happy to offer a number of choices of phono preamplifiers to suit your specific needs. The P710 phono stage comes in a number of configurations - it can be configured as a simple MM/MC (38dB and 60dB gain respectively) unit with single ended outputs, it can have a variety of power supplies, it can have extra power filtering built in, balanced outputs, an adjustable gain stage... etc. Essentially, the P710 can be configured to be exactly what you need it to be. Please call or e-mail to discuss your needs - always happy to help. 

Please note, the P710 requires the purchase of a separate G Series power supply.

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If you are an enthusiast and like to change cartridges from time to time, then the P715 may be the perfect choice. The P715 has separate MM and MC inputs, 0dB to 75 dB adjustable gain, internal adjustable loading, and both single ended and balanced outputs. A variety of power supplies are available to suit both your budget and your listening requirements. A flexible all-rounder of a phono stage that will produce excellent results with a wide variety of cartridges.

Please note, the P715 requires the purchase of a separate G Series power supply.

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For those who prefer low output and/or MC cartridges, we proudly offer the P720. The P720 implements a separate head amp with five user adjustable gain settings ranging from 61dB to 87dB. If you prefer to rock a high output cartridge, the MM input is set for 38dB gain. The P720 also features internal user adjustable impedance loading, MM and MC inputs, and both single ended and balanced outputs. A phono stage that produces excellent sonics, especially for the demands of the MC cartridge aficionado.

Please note, the P720 requires the purchase of a separate G Series power supply.

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The i800 is the entry level integrated amplifier of the i-Series. Actually, the term "entry level" is probably an insult, because the i800 certainly doesn't sound "entry level". Let's go with no-frills, instead. Rated conservatively at 50 WPC into 8 ohms. It has three inputs, remote control volume, a single pair of speaker outputs, and a back mounted jack to accommodate an FCF power supply upgrade should you wish to make a really good integrated sound even better down the road.

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The i802 was my first experience with the new Angela Yeung - Gilbert Yeung product line. To say it was a positive experience would be a gross understatement. The i802 features 80 WPC into 8 ohms, remote control volume, three line level inputs, and separate back mounted jacks to upgrade the power supply for for the both the input and output stages. The i802 sounds great as is, but should you choose to add either SP capacitor pack or FCF expansion modules... or both... you can take it much further. An excellent building block as the centrepiece of an audio system

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Take an i802 integrated, add about 830,000 micro Farads across the input and output stages of that amplifier, and you've got the i806 integrated amplifier. Why is that significant? Well, the total power supply capacitance of the i806 is just over 1 Farad - that's right - more than 1 million micro Farads.. That is probably about three times the total power supply capacitance of your average audio system - and I'm not talking about the stuff from big box stores, I'm talking about well regarded audio brands. the i806 takes everything that is excellent in the i802, and makes it more excellent. Like the i802, the i806 also has a pair of power supply upgrade jacks on the back panel, in case you feel the need to get adventurous. Other standard features are 80WPC into 8 ohms power output, three line level inputs, and a preamp output.

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If you are looking for something truly special, then you might want to consider the i810. It is a hybrid integrated amplifier, but not in the classic sense. What separates the i810 from other designs is the fact that is has separate solid state and tube input stages, and that both of those stages are adjustable. This means that you can use the controls to adjust your desired mix of tube and solid state signal into the output stage. It's kind of a big deal, because you now can tailor your sound to your speakers, your room, or your music, depending on your needs. It's a fairly easy concept in theory, but to build it into a an integrated amplifier and make it user friendly is quite difficult. On the i810, this feature is VERY user friendly, and extremely effective. 130 WPC into 8 ohms, five line level inputs - 2 balanced, 3 single ended, preamp outputs, and a separate power supply make up the feature set. Simply put, it sounds sensational.

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The C310 Linestage Preamplifier has a number of features - both usual and unusual. The usual stuff? Three RCA inputs, plus both RCA and Balanced outputs. Optional Balanced inputs are available. There is also a headphone output. The unusual? A separate power supply for optimal noise reduction, a rear panel jack for the addition of an SP Capacitor Pack expansion module, and not one... but two switchable  tone shaping circuits. All of this in a cost friendly package that sounds like it should be more expensive. 

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The C312 is the latest addition to the line stage preamplifier roster from Angela-Gilbert Yeung. How to best describe this one? Well... Like the C318 the C312 has a set of multiple gain stages. It has a Warm gain stage that acts as a driver for a set of two parallel gain stages, which are called "tube" and solid state. BUT... the tube circuit is simulated, so not a real tube... BUT... it certainly sounds like a real tube. All three of these gain stages are adjustable, so that you can create the perfect bland and balance of tube tone and solid state tone. The standard inputs are two balanced and three RCA, along with both both RCA and balanced outputs, and a separate line output. The C312 also has dual SP capacitor pack upgrade jacks. All in all, a comprehensively featured line stage that sounds great right out of the box that is easy to upgrade down the road.

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We have to make a lot of decisions every day - 1% or 2% milk? Chicken or beef? Donut or Bagel? White socks or black socks? When it comes to preamplifiers, the usual question is, "Tubes or solid state?".  And I say "Why not both?". The C318 offers the opportunity to create the perfect sound by offering separate 6922 and 6SN7 tube circuits, and a solid state circuit. Each circuit has its own volume control so that you can mix and match to create the ultimate tonal balance for your speakers, your room, and your music. Standard inputs are two balanced and three RCA, along with both both RCA and balanced outputs, and a separate line output. The C318 also has a beefy separate power supply, and rear panel jacks for both SP Capacitor Pack and FCF plug and play upgrades. I should also mention that it sounds amazing.

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The A210 is a class A/B design, with a conservatively rated power output of 130 watts per channel into 8 ohms, and 200 watts per channel into 4 ohms. It has both single ended and balanced inputs, and rear panel jacks for both SP Capacitor Pack and FCF upgrade modules. A simple amplifier platform that sounds terrific, and can be taken a long way further with upgrades should you choose to do so.

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